Early winter thoughts

On the shelf over my desk at work there is a picture of me at around age 11 sitting on my parents’ bed and practicing my flute. My mother gave me this snapshot in a small lucite frame, along with some other childhood artifacts, when I turned 40.

Sometimes I look at that photograph to remind myself, “That’s me.”  My hair is long. I smile. No doubt I had the room to myself, so I could practice. This was before my father built an addition on our house, so solitude was at a premium in our small house with seven people living there.

More and more, this seems important: to look back on the self before it became adult and look for some pure thing. Even 10 years ago, I would have disparaged (in my mind) others doing this. I believed — and rationally I still know this is true — that the self is mutable and changes every day that we are alive. Today marks the day that I am who I am.

Adult life is both full of and fragmented by responsibility to others. This is especially true as a parent and amplified by being a teacher on top of it. The nurturing of the potential of others feels like where a lot of my energy and mental overhead go.

Solitary chair, Cunningham Park, Milton, 11.29.2013

Solitary chair, Cunningham Park, Milton, 11.29.2013

Not all of it goes there. In the past few or several years, my egotistical thoughts and fantasies have become more important to me, as if they are getting unburied with the pressure of time. This is probably some adult developmental stage, and if I knew more about classical psychology or if I were in therapy, I could describe myself to me in a framework.

In my own thoughts, I am like an adolescent: who I am? what will I become? what can I accomplish that is significant?

But I am an adult too, and I remind myself that my life is well underway. The horizon doesn’t shimmer so much with promise as it does with the quiet light of certainty.

Roaring self resists. I document the accepting side of my thoughts, and a lioness stirs and says, “No. It cannot all have been written yet or done.” Promise is not only for Eli, Lydia, and Grace. Promise is not only for the college students I know for a semester or two.

These thoughts have been vividly alive in the last few months because I seem to have reached some limits. Certainly, limits can be overcome or gotten around, but to some degree I am trying to talk myself into learning to live with them and thereby retreating from the challenges they present.

If I don’t run, I won’t ever feel like an inadequate runner. If I cease my skating lessons, I can satisfy myself as a recreational skater. If I content myself with being a satisfactory writing teacher, I will quiet the desire for more authority, more prominence, greater effect. If I write only for myself and my students, I may marvel at how the written word can connect one person to another.

A smaller space might be enough. I could ease into a respectable old age.

I wonder therefore if my reflections on myself as child and adolescent are a way to carve out a space for myself alone, or a self before so many responsibilities grew in my life. “What did you want, Jane?” I can ask her, and only she can answer. The thing is, did she know?

Or, did she know, but she feared to say or do it?

It’s so coy to end on a question. If a student ended an essay or a major section of a paper with a question, I would call him/her out on it. “A reader wants to know what *you* think.”

The child in me is all desire: I want everything that I have ever wanted. The adult in me, all reason: prioritize, defer, and accept limitations (your own and others’).

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NaNoWriMo: Progress Report 2

The experiment ended, and it continues. I creep along.

4348270425_8e76a67d96In November, I wrote prose poems on 25 out of the 30 days. These are drafts, and, among them, maybe 5 are ones to work on. Whether you count 25 experiments or 5 potential poems, those are significantly more than I would have written without the special event.

My favorite writing days were when I had no more than an image to go on. Something caught my eye, I wrote it down with no anticipation of a poem I would generate, and I followed one sentence with the next. For example, one day online I saw the tagline for a crochet book: “figure-flattering crochet fashions.” It was absurd, and it stayed with me. Later that night I followed the line and wrote a character-driven prose poem.

Crocheted Sweater Vest

She dressed in figure-flattering crochet fashions of her own making. The looped stitches
were turned into squares, and squares into clothing. She imagined her vests and hats as
having an intrinsic duality: curves and edges. She was mocked at the office. Other women,
lavish in their mimicry of concern, critiqued the craftiness of crochet. It’s just not sexy.
When had sweaters become erotic objects? To Phoebe, named after the bird by her mother who had died young, a sweater was akin to grass growing on a hill or a beard
on a chin. A light coating, spongy, something that could be trampled on or gripped. It did
not ask to be taken off. But Phoebe left her sweater — rose wool, with some acrylic —
on her swivel chair overnight. She had dared herself. In the morning, it was there, the
victim of no mischief. So she balled it into the metal file drawer, locked it, and left.

[end]

Toward the end of the month, I realized that, although I preferred ending a poem on an image or action, a poem might need to go further into a question or idea. Therefore, some of the later ones (not published here) did that. I now wonder how the poem above could get beyond sweaters and self insulation. How would I change it? What  line or two would I add at the end?

I liked the daily pause and productivity so much that I will keep going but change the rules. In December, I will continue to write daily, but with no required form. The topic will be this: ANGER. I will take a crack at it — in prose, poetry, or reflection — every day.

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Image credit: Tortuga con jersey de ganchillo (2010), by Alícia Roselló Gené on Flickr via a Creative Commons license.