Where I want to be

Once, on my long path from the parking lot through courtyards and down hallways to my office, I trailed behind an admissions tour group led by a student. I heard him say to the assemblage of parents, prospective students, and tagalong younger siblings, “Our campus isn’t very beautiful. I mean, it’s an urban school.”

Whoa there, I thought. Our campus is amazing. Indeed — domes, arches, windows, low stones walls, high ones, the river over there, surfaces, trees, groundcover, bicycle racks, and silhouettes against the sky — there is always something interesting to look at.

Last Wednesday, after a day filled with 1:1 writing conferences (6 of those) and presentation rehearsals (4 of those), I took a detour back to the parking garage to check out a new outdoor sculpture, Alchemist by Jaume Plensa, that I had noticed from across the street as I hurried back and forth on other days.

W 11.24.2010 ~3:00pm @W20 MIT

And last night, same sculpture, same impulse. Continue reading

Pleasures and problems of the ideal text

Writing teachers, when they read drafts, have a hard time resisting the temptation of the ideal text. As we read student work, we may be simultaneously reading — or really, creating — an ideal text in our mind of what that draft could become. No doubt this ideal text is based on our knowledge of other texts we have read and perhaps even written ourselves.

Ideal texts may help us see our students’ work ambitiously, as though all writings hold great potential. Ideal texts may also prevent us from seeing the work for what it is and for what it wants to become, or for what the writer wants it to become. Brannon and Knoblauch (1982) describe how an awareness of ideal texts and the inexperience of students can lead a teacher in a way to “appropriate” her students’ work (158).

The kinds of texts we encounter at school can be more than essays or reports. Oral presentations are texts. Videos. Portfolios. A proposed experiment. In the project labs I am assigned to at MIT as a communications instructor, it seems to me that the engineering and science faculty read or consider their students’ independent design and research projects against some ideal that the faculty themselves conjure in the acts of reviewing and teaching.

This ideal-text creation is largely optimistic, and, at the beginning of the semester, we see only potential. The push is forward. Right around now, though, with only two weeks before the last day of classes, our ideal-text creation machine is seeming a little peaked, which can paradoxically lead to teacherly acts of will and desperation: extra writing conferences, more office hours, and lavish feedback.

There’s another tarnished ideal text we teachers are facing right now and that is this: our own teaching. Perhaps I should drop the communal “we” right here and admit that the tarnished ideal text that I am facing, at this late moment in the semester, is my own teaching.  Way back in September, what I planned to accomplish and even be as a teacher was like a vision. And now I hold the reality of my teaching in my hands like a small pile of stones. Certainly, I have amassed something — I’m a better teacher now than I was 7 years ago when I started, and surely this has happened incrementally, including this semester — and yet the gains are modest-sized.

Oh, I’m not completely self-effacing. Not at all. As much as I’m seeing the shortfall in my work, I see too what I have achieved. In fact, nearing the end of the semester can be a weird time of reconciliation. Somehow, by making an account of what I didn’t accomplish, I force myself to look for what I have been doing: 4 classes and 60 students, and it looks like they’ll all reach the finish line intact and with a few flourishes.

I’m starting to reflect, too, on what my students have achieved, as I’m talking to them in meetings and conferences and as I think of them. I am reminded that they are not only the texts that they produce; they are very smart people to begin with who are growing as thinkers and doers, and teammates and teachers. In class, meetings, and peer reviews, I observe them teaching each other more and more. Often, I feel them teaching me.
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Image, “Brain of the Sistine Chapel,” by tj. blackwell on flickr.

Space carved out

It was Wednesday, one hour squashed between other hours and another appointment in a week filled with appointments. In the room, I and my ESL student, whose name is Karma, worked side-by-side on our own copies of the reading. The door to the hallway was closed. Through the wall, we heard a muted piano and, etched on top of that sound, a soprano voice. I counted 12 chairs around the table in our tiny room, and a chalkboard filled one wall and a window another.

view from room 4-146, Wednesday 11-10-2010 @ 10:55am

This was silence. This was luck. This was like the world saying, Be here now.

The hour was long enough.

How to work a cocktail party like a tutor

Last night Jimmy and I went to what’s called a drinks party and, to our relief, enjoyed ourselves. I realized later, after several good conversations, that what makes me an effective tutor can help me get through challenging social situations. Or vice versa.

Why are cocktail parties challenging? I mean, I may not be attention-hungry, but I’m not shy.  Here’s the problem: so many people, no defined role for me, and no structure.

If those are the conditions — and they are for most parties, except for baby showers which are usually rather annoyingly structured around “games” (and those are intentional quotation marks) — then a person must have a strategy for dealing with the conditions. Otherwise, the impulse is to hide in a corner with the one person you know, clinging to that corner as though it were a berth and you a little boat afraid of being battered by the open sea.

And just as the secret to being a good tutor does not involve being drunk on the task, the seven secrets to party-going success that follow do not involve drinking half the bottle in the first 10 minutes. Continue reading