writing

Hold me

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Author’s note: I’m in a daily, morning writing group run by the novelist and writing teacher + coach Diana Zinna. (Among other themes, she specializes in grief.) From one of this week’s writing prompts, about a painting or piece of art coming to life, I had the chance to free write about a lithograph of a drawing by Käthe Kollwitz called Mutter mit Jungen (or Mother with Child) that my late mother-in-law, Deanna, had in her house, which I took after she died. It held meaning for her and for her first child, Jimmy, who was my late husband. I wrote the following from the imagined point of view of Deanna. This is the second pass, lightly edited.

“Hold me like the lady in the picture. Hold me.”

Here is the picture before me, the yellowed paper, the grayed stroking lines. The face of the child is turned to me, to the audience, and I try to see Jimmy in the eyes.

I close my own, and I peer at the screen inside me where images of Jimmy flash like cards in a decked, shuffled. Always, what I see is he as an adult, as a father, as my son in his glory and his despair, as he was before he died. Sometimes I picture him, awful, in the hotel room, his body cramped and frozen into position. Why cannot I see him at rest – the body supine and his mind, at last asleep?

I want to see, to dream even, a remembered flash of Jimmy the child. It’s out of reach, as though my mind is a house full of rooms, and the one I’m in has only furniture and blank walls and a window straight ahead, blinding with its light. Over my shoulder, in this house of rooms, i feel the presence of Jimmy, and he’s scampering and fidgeting like he always was as a boy, yet my head cannot turn. I can only look ahead. These are the rules of my mind-house. See only what’s in front of you.

The image of the mother and her child assemble into view again. The boy… the boy… a cherub… with his mother’s arms around him. The lines of her arm and sleeve pull down, vertically, to convey his wonderful weight. The lines in her back and blouse, also down. Her head and face, tipped down to him. That was what he wanted, my child, my Jimmy. To be held like that, to be adored, to be carried.

The lines vibrate – what a gift this artist had! To draw those charcoal strokes to carry weight and still make them seem alive, to tremble – with love or burden or even the mother’s strength. The drawing bristles, the lines also sketchy and ephemeral, that charcoal dust. Like life.

I’m in the house in my mind again, full of rooms. The ones around and behind me I cannot return to. Ahead, the painting. And the lines of the child soften and fade. Where? Where is he? The lines of the mother darken. Her head tips down and down. Her empty arms wrap around empty space the child is gone and she embraces herself. Hands gripping arms. The lines of the figure shake and I am wondering how did she do this? How do the lines seem so alive, so electric? And even the head seems to rotate, degree by degree.

The eyes of the mother – the lady in the picture – turn to me. They are wide and open and rimmed darkly with charcoal. The mouth, darkly shaded, is parted and opens wider and wider. I cannot hear in my mind that is full of rooms. I can see and I can sense, but I cannot hear. The mouth of the figure opens, and it closes again. It makes the shape for “Mmmm.” The mouth opens again, “Ahhh.” And closes, “Mmmm.” And opens, “Ahhh.”

Mama. Her mouth says.

Mama.

Mama. Mama. Mama.

Over and over and over. Like a wail, the cry of ages. The anger. The grief. The bottomless pit. The love. The never forgetting. The child gone. The mother terribly remaining, with empty arms that are always empty. And though I almost cannot bear to, I remember his sweet baby words: Hold me, mama. Hold me.

Wolf pack, last time

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“When I was a Child… I listened to vinyl records,” Pasi Mämmelä (2016), via a CC license

My essay, “This Will Be the Last Time,” was recently published by Pangyrus. The full essay — which presents the three last times I saw my late husband, Jimmy Guterman — can be found here: link.

Here’s an excerpt, from when the kids and I visited him, in his last earthly existence, in the funeral home.

They touched their father then, over the sheet. His legs. His chest. Did anyone touch his hands? They were under the shroud, a lump on his chest. I touched his hard, bony small knee through the sheet.

“Remember the wolf pack?” asked Eli, putting one hand out to hover over Jimmy’s chest.

We nodded and looked across the body at each other, remembering that time in a dark-paneled and stuffy TGI Fridays in Niagara Falls, on the rain-soaked first night of our summer vacation. Tired from a long car ride, we longed for hospitality, not our cramped hotel room or the awful food in front of us. To break a rotten, collective mood and restore family togetherness Eli had declared, “Wolf pack of five,” and led us through the stacked-hand gesture.

Ten years later, in Levine Chapel, Lydia put an outstretched hand on top of Eli’s. I put my hand on Lydia’s, and then Grace topped my hand with hers. With our hands making a sandwich and hovering over their father’s body, Eli commanded, “Wolf pack, last time.” Our hands released, fluttered up like birds, and then dropped back to our sides.

There was a lightness in the air; we were relieved. Jimmy, estranged husband and troubled father, on the run and missing for days, had been found. We walked out of the room, and he was gone.

Letting the days go by, let the water hold me down

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Write before coffee. Morning pages. Catharsis.

Long pause.

I got those phrases out. Hard to keep going. The situation is so IMMENSE. How do I begin?

Finally, after a lifetime of living with people (not exaggerating), I have a room of my own or, at the least, an alcove and window of my own in my house. At work, where I have been going only rarely, I have an office of my own.  Solitude is ample, though of course there are dear people in my life and I see them.

While I have the ideal Woolfian conditions for thinking, writing, and creating, my mind holds a shifting sand dune to trudge up and over before I can proceed. How do I do things that are not necessary, not for survival, not prompted by the pandemic, pre-election, or work pressures?

Yesterday I voted. I filled out my mail-in ballot on my kitchen counter with a black pen. The stroke curved to fill the right edge of the Biden/Harris oval and went over the line, perhaps a millimeter. I stared at it. Did I ruin my ballot? Did I disqualify my own vote? Doesn’t every vote count, even in Massachusetts? Who should I call, the town clerk? What string of words should I google to find out if I messed this up and what I should do to fix it?

I called on my inner voice. Jane, it’s really okay. It’s all about filling the oval. Not X-ing or checking it. The human hand cannot operate with 100% accuracy. Not your hand, not any other voter’s hand. Have faith. Keep filling the ovals, front side and back.

I walked to my town hall to deposit my ballot.  Walking is better than sitting and driving. It felt ceremonial.

This is not about voting per se — it’s about the near-simmering panic that bubbles up. All these anxiety balls we are juggling are too many.

I read online some bit about the prefrontal cortex and its role in executive functioning and planning. (Did I get that right? If someone knows, please inform me because I am always happy to have the right answer gently provided to me.)

When this brain region is overwhelmed, as it is for all of us now, it can’t sort, prioritize, and plan.

I worked all day yesterday, feeling as though I kept circling the same To Do list over and over, picking off things to do and doing them with no sense of having picked the right thing to do. I ended up doing a lot and at the same time leaving a lot of gaps.

This is a duality: doing a lot and at the same time not getting much done.

I remember Jimmy, who loved quotable pithy wisdom, telling me more than once about some advice from guru screenwriter seminar-leader Robert McKee saying something like, “There is a difference between action and activities.”  You want your character, if you’re writing a novel, to be involved in action, not activities.  And–also according to Jimmy– someone else said, maybe a productivity guru, that this principle could be applied to work: be involved in action, not activities.

Activities are about all that’s happening for me and work and life right now. Do, do, do.

Yesterday after I got back from voting I took a break from my To Do list and I repotted a succulent garden that had lost a few of its babies in an over-watering episode this summer. I did this also on my kitchen counter — it’s an island at the center of the kitchen, and in this house the kitchen is at the center of the house — and one thing led to another so I emptied the dishwasher, reloaded it, sorted the mail, boiled water for tea, and gave the dog Winston some affection. He does his job so well, providing comfort and companionship, and I don’t always recognize him for his contributions to our life.

Late yesterday afternoon, in a Teams message my friend and colleague Ashley Armand asked me:

“Have you updated your blog? I haven’t seen a new post, but always looking forward to reading about all the feels that come with this life.”

What can I say? I wondered. By “say,” I mean “write.” My mind is holding all details in working memory as equally important and not doing its usual sorting, emphasizing, and minimizing in the way I rely on it to do. Promising ideas and images are not naturally floating to the top.

Monday I had THREE medical appointments, ones that replaced appointments that had been canceled back in April. I saw my endocrinologist, I had a routine mammogram, and later I went to Joslin to get a deep look into my eyes. In all cases, they had timed everything so there was really no waiting. You check in, and you get directed immediately to a room. I felt safe, and yet also as though I was walking on the moon with a few other astronauts.

I looked back at my camera roll for the last couple of days, then extended it to the last couple of months, to see if I had any photos that could illustrate this extraordinary time we’re living through. I saw

  • screenshots of catalog items I probably won’t buy
  • photos of trees downed in the recent crazy rain and wind storms
  • pictures of Winston
  • pictures of Lydia
  • banner and sign images from front yards
  • a haircut photo
  • hills and trees from recent walks and hikes
  • one masked selfie
  • gold leaves and crimson leaves
  • one of the John Hancock Building from a distance as I crossed a pedestrian bridge over train tracks
  • and finally my ballot getting dropped in the box yesterday.

One month ago my partner Chris and I were on Cape Cod for two weeks. We had rented a house there to “work from home,” yet in a better location.

There was an afternoon when he was working, on conference calls, and I did my own thing. Maybe a room of one’s own can also be the outdoors.

It was after a storm and the wind was wild. I walked to the town beach, near an inlet on the bay side of the narrow stretch of land that Wellfleet is on, part of the Cape Cod National Seashore that Kennedy set aside in his administration. The wind intensified, blowing my hair and making me shove my hands into my parka pockets. (Photos in this post are from that moment.)

The world is glorious, full of wonders, I thought. I turned in a circle and looked all around, taking a lot of mental photos and a handful of digital ones. It was an instance when I could believe that life itself is timeless–it existed before I was born and it will exist after me–and let go of that constant feeling of needing to do everything to save it.

And yet I don’t believe that our worries about the world are unfounded.

Borrowed house and garden

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On our first snow day in Boston this season, I revised again my essay, “Borrowed Garden.” I also jumped into Medium and published it here: link.

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“Before the storm,” November 30, 2019

In it, I describe a process of coming back to life after a suicide loss. Moving from one rental to another helped. So did gardening. Though it seems counter-intuitive and maybe even counter-capitalist to invest so much labor in a house and garden I do not own, it has been a forward-looking process, and an outlet.

Just as time was running out, I found the house and yard that we live in now, near Boston and near my sister. Only 10 days before my youngest child, Grace, embarked for college, we moved in. Something about the overgrown lilacs, trampled lawn, and back shed whetted my appetite even more than the bedrooms and kitchen did.

I have turned to self publishing after about four polite rejections. One magazine editor told me her editor in chief “doesn’t do grief.” Other editors said something along the lines of this: “It’s not quite right for us.”

Weeks ago, I asked Grace, who is a sophomore at Sarah Lawrence College, known for its writing program, to ask one of her professors, a well-known poet, for his thoughts on self publishing. Grace admires and trusts him. He texted her back, saying that poets never intend to make money from their work — hence, teaching — and that finding readers is the point.

Readers, thank you for finding me.

Your job as a writer is making sentences

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I am reading a book, long ago recommended to me by teacher/artist/writer friend Jan Donley and recently brought to my attention by daughter/college student/writer Grace Guterman, that focuses on the building block of prose: sentences.

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From Several short sentences about writing, by Verlyn Klinkenborg (Vintage Books, 2012).

Why are we talking about sentences?
Why not talk about the work as a whole, about shape, form, genre, the book, the feature story, the profile, even the paragraph?

The answer is simple.
Your job as a writer is making sentences.
Most of your time will be spent making sentences in
your head.
Did no one ever tell you this?
That is the writer’s life.
Never imagine you’ve left behind the level of the sentence
behind.

Most of the sentences you make will need to be killed.
The rest will need to be fixed.
This will be true for a long time.

I endorse this book. It is mesmerizing and full of wisdom. If you write, and if you struggle with shaping your sentences, it will also validate your labor and thoughtfulness.

Ghost Road

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Note: At the beginning of May, I joined a 30-day writing course designed by Megan Devine, founder of Refuge in Grief.  Every day we get a writing prompt, and there is a secret Facebook group to post to and share writing with other members. There are losses of all sorts, mostly deaths, and some losses are recent and some, like mine, more in the past. There is something special about the group — I joined for the writing, and I’ve gotten much more. Find more info about signing up for the next group here: link. My post for Day #19, unedited, is below.

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Image credit: Belmont Public Library

“You forget what you want to remember and you remember what you want to forget.”

Cormac McCarthy, The Road

Last night when I got home I asked Grace what she had done with her day. She is newly home from her first year of college. She told me that she and Elena (cousin) had gone to Ghost Road, off of Chickatawbut Road in Milton, to take Winston for a walk around a secret pond.

“I remember the day we later found out that Dad had died, Sally had taken us for a walk earlier that day around that secret pond in Chestnut Hill,” she told me.

“What? What?” I ask, confused. “You went on a walk the day Dad died? Who went?”

“Sally took me, Eli, Lydia, and Sara,” replied Grace. “Then later the police officer came and told us Dad died.”

It was one of those moments when I realized there was something I had forgotten, or never knew, from that confusing, consuming time that Jimmy died. In the days preceding July 25, 2016, when all we knew is that he had run away and no one could find or reach him, we swung between huddling together and trying to solve the mystery — Where is Jimmy? — to carrying on as usual with grocery shopping, dog walking, and (me) working. It was summer school time, and I was teaching a class.

So, I learned or was reminded, on the day we found out, in the afternoon, that Jimmy had been found dead in a hotel room, —

Wow, I had to pause there after I wrote that. I have a life, I had a life, in which the man I was married to, was estranged from, would run away and go to a hotel room and die of an overdose.

I don’t always think of that. The facts of that day. All I can picture is the moment the police detective, Matthew Something, drove up and got out of his car in a Red Sox shirt thrown over his uniform. I can never forget that and I never want to: the vivid Red Sox shirt, all white with the red trim and lettering, over the dark uniform and against the darkness of his car. He walked over to me standing there outside. He had called ahead. After days of searching for Jimmy, I knew what he would say before he said it. Sally was standing outside with me, on the driveway. He walked over. He told us, “Mrs. Kokernak” (no one calls me that), “I am sorry to tell you that your husband’s body has been found.” And then, the details of the finding. The questions about the name of his doctor, and his psychiatrist. They would investigate. There was likely no crime. He could not tell me the cause of death. Then the kids come outside, Eli, Lydia, Grace. One of them ask from the front porch — Sally and I still in the driveway — “Mom?” as if my name and the question mark ask everything.

“Dad has died,” I say. “He is found.” Continue reading →

To anyone who has a heart

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On profound occasions, a person like me feels the pressure to come up with some profound words to mark the moment. I have none ready-made.

Today was the last meeting with my physical trainer, Kim Gomez, because we are moving. For the last year-and-a-half, with almost no breaks in our schedule, I lifted, stretched, lunged, and hinged two times per week. This has been one of my most important new relationships in the two years since Jimmy died, and we didn’t talk that much. I’m not a small talker, and neither is she. Of course, we talked. More significantly, she believed in me and she pushed me, and as my body got stronger my mind did too. It’s hard to come back after a trauma. If you ever have to do something like that yourself, reader, make your body do something. The mind doesn’t always lead the way. Often, the body does.

We both knew it was the last day, and I wondered how I would mark the occasion, though I didn’t plan it out as I usually plan things out. I actually hurt my back mid-lift, and instead of maxing out on lifts and lunges, Kim led me through stretches and extensions until I was okay again.

I couldn’t look at her in the last few minutes. I looked away, steadying my voice, and said, “It’s hard to put into spoken words what I want to say. I’m going to write it down and leave it for you.” She embraced me. Maybe she said my name – I love when my name is called. I hugged her back, and in the air next to her head I said, “Kim, you have been a great friend to me, in the work you do and the way you do it. I’m strong again. I’ll never forget you.” She responded, “I’m proud of you. Email me anytime if you have questions.” We parted. I stopped to look out a window.

Today is also the two-year anniversary or yahrzeit of Jimmy’s death from suicide. Here is his obituary: link. This event in our lives was truly “unexpected.” And yet, like so many stunning events, it also made sense to us as we reflected on it. The fragments fit together.

Just that something makes sense doesn’t mean that we feel any loving kindness toward this truth, any deep peace. Recently, talking about love, Eli said to me, “Mom, I have a feeling that for the rest of our lives all four of us will be experiencing everything through this layer of trauma.”  I thought this: “… even if that layer thins over time.” Continue reading →

Cemetery

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When I was a child, every spring in anticipation of Memorial Day we would go to the cemetery to visit the graves of my mother’s father and sisters. My parents tidied up around the headstone and planted new flowers, like petunias and geraniums. There was one job I liked to help with, using the grass shears to trim the overgrown grass that was too close to the headstone for the lawnmower to mow. I liked how the shears worked: you squeezed the handles vertically so that the scissors would open horizontally. The task satisfied my desire to make things neat, even then.

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Full inventory of Columbine in quart-sized pots; I bought one

Otherwise, my siblings and I would go up and down the rows calling out the names and doing the arithmetic to figure out how old someone was when he died: “Nineteen seventy minus nineteen twenty one. That’s…. forty nine!” This one, very old. This row, all soldiers, young. My mother’s sisters, just girls. From far away across rows my parents would yell: “Don’t climb on the headstones!” These were not good manners, we knew, yet we were children and it was hard to resist climbing.

Today I went with Grace to the Walnut Hills Cemetery in Brookline, where Jimmy’s remains are buried. In the trunk of the car were hand shovels and a Columbine, two pots of ground cover, and several geraniums and New Guinea impatiens. There was a watering can, too.

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Almost bare but for an evergreen left by an anonymous mourner

In the car on the way there I said to Grace, “I didn’t buy mulch. It only comes in those huge bags, and we don’t need a lot.” She seemed pretty cheerful, so I added, “Yesterday when I was at Home Depot in the garden center, I thought that at the register they should sell ‘cemetery kits’ for people like us: a few plants, a shovel, and maybe a two-pound bag of mulch.” She didn’t say “great idea!” so I figured not a great idea.

Jimmy’s plot is on Chestnut Ave. When we got to his spot, I noticed that the plot of his nearest neighbor – a woman, Mamie H., died in 2017, born 1960, fifty seven! — was decorated with pots of flowers, some on the ground and some hanging from wrought iron shepherd’s hooks. Suddenly I worried I had not done enough in preparation for this small-sized yet very important gardening project. Is love measured by what or how much we plant or decorate?

Months ago, an anonymous mourner left an evergreen tree in a light blue pot for Jimmy, and it has survived. Today we left it where it was, and we planted our little plants nearby. The ground was hard, and because it had been raining we had to squat. Our ankles and knees ached and we stood periodically to stretch, then we’d squat again and dig at the hard sod. Grace and I had a mere sketch of an idea for where we’d place our flowering plants, and we modified as the perimeter started to fill in.

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Winston was with us, and at first we leashed him to our parked car because someone in a red SUV pulled up alongside Mamie’s area. I imagined it was Henry H. because his name is also carved on their family grave marker, though with only his year of birth indicated. I imagined he was the person who lavishly placed all the pots of flowers around her resting place, and then I wondered if it might be too much for him to stand nearby, defenseless, seen. So he sat in his car, perhaps praying, perhaps wondering why he was there.

After the imagined Henry H. drove away we let Winston off leash, and like a good child he roamed the grass along the road but never so far away that we couldn’t call him back by name. He seemed happy, or at least frisky.

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He gallops off

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He returns when called

How did I feel? I felt deliberate, if that is even a feeling. Like, this is an important thing to do, and we haven’t done it yet. Finally, we’re ready. I had a sense of ritual: this is an act being performed this weekend across this cemetery, across all the cemeteries in Massachusetts, in the country. The caretaker and grounds crew will make sure the lawn is mowed, the trees tended, and trash removed. It’s up to us to individually mourn and later honor our own people who have died.

We worked quietly; we talked only of the plants, weather, and our aching knees. Grace took her sandals off and put them in the car to stay dry, and I kept my wet sneakers on. It didn’t matter.

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I have drunk from many of these

I filled the watering can from the spigot raised off the ground with a piece of pipe. These cemetery faucets are one of my favorite, simplest things. I considered them magical as a child – water, in the middle of nowhere! – and I still do.

I always noticed, during the annual cemetery visits when I was a child, that my mother did not cry, and even as a child I thought this would be required. People in her family had died, too young and of terrible illnesses, and there she was with her gloves and trowel and perhaps her hair tied back, concentrating and talking to my father.

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Mulch we needed (and still need)

And today, Grace and I, no young children around us, were also not crying as we tended the ground, planted flowers where there were none, watered them, and replaced the small stones that had been scattered by the mower blades.

Right after Jimmy’s death, when we were making the funeral and burial plans, the children were quite skeptical about a cemetery plot and why we needed one. “There has to be a place to go,” I must have said. I believed that. I also reminded them that Walnut Hills was in our (then) neighborhood, and it was a place we all had strolled through many times. In fact, Lydia and Grace learned to ride their bicycles there.  Jimmy or I had taken the dog there daily. “Winston and I will visit,” I assured them. Well, here we are.

This was my idea, the planting of flowers. Perhaps it was motivated by childhood training, that it is right to care for the dead in an active way, perhaps by other feelings that are so strange to me I don’t have a name for them. Last summer, around the first yahrzeit, I could not have planted these flowers: I was weary, and I didn’t want to. Now I want to. That feeling I know.

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Open the door, and let them in

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July 2, 2017 in the neighborhood, for Canada Day

Quickly:

With my daughter Grace, a senior in high school, I’ve been coaching the writing of the college essay. Last night we finished the final proofreading. Grace said we don’t need a title. “Not required,” she said. “Optional?” I wondered.  “Yes,” she admitted. Okay, then, we’re writing one.

Titles are so important: they are the invitation, and the doorway into the book, movie, and college essay.

It was 10 o’clock on a Friday night, and Grace and I were spent.  Remembering a nifty list of exercises for generating title possibilities, I dug it up out of the Google dirt.  Here it is:  link.

We focused on the first three of the four functions of a title. (The fourth one seems more important for publications.)

First, it predicts content.

Second, it catches the reader’s interest.

Third, it reflects the tone or slant of the piece of writing.

Fourth, it contains keywords that will make it easy to access by a computer search.

And then, from the list of title prompts on page two of the guidelines, we used numbers 1, 6, 7, 13, and 14 and generated about 15 good and bad title ideas for Grace’s essay. It took only 10 minutes with two focused people working together.

What we learned: your first idea is NOT your best idea, and bits from your bad title ideas will provide you with a key word or two that together may be the foundation of a good title.

Also, people, tone is really important! If it’s a humorous essay, avoid an academicky, serious title.  If it’s a hopeful essay, give that title a lift (e.g., Grace’s title uses the word “spirit” instead of “motivation.”)

Titles are important! Always use them!  For essays, make them informative and inviting.

Sugar in her tea

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IMG_2632-1 (1)I am rusty at non-required writing. Every day I get it done for work but when it comes to the optional kind, I am tentative and wary of beginning again.

That phrase in the title – sugar in her tea – I transcribed it today from interview notes for something I’m writing. A freelance gig at an agricultural nonprofit, it has to do with farmers in the developing world and how their lives improve when their income grows. To have sugar in one’s tea after years of drinking it black? That’s a small sign that farmer livelihood is improving. (There are more significant measures too, like nutritious food and peace of mind.)

It’s just Grace and I here tonight. We are talking a little but we’re quiet. Oh, Winston’s here too. Are we lonely? I’ll ask Grace. We are sitting in her room together.

“I don’t think so,” she says. “I think that maybe if it was like some Saturdays in the past when it’s just been the two of us all weekend, and we only leave the house to do errands, that can be lonely.”

She adds, “Sometimes when I’m lonely it doesn’t have to do with us. It might be because of being upset with a friend.” Knowingly, she looks at me and continues: “It’s not the household dynamic.”

In my own moments of loneliness, I try to tell myself it’s just a feeling and it may have no immediate origin. You just have to abide with it. It may not need to be fixed.

Meanwhile, I’m reading a book, Scary Close by Donald Miller. It’s about intimacy in general – being real and being close to friends, family, a partner. Its subtitle contains the phrase “dropping the act.” This is the kind of thing a person reads when she wonders if she knows anything, after years of adulthood, about what it means to connect, and how to do it well. Though there is something about the writer’s voice that is a little too proud of all the insights, there are some illuminating bits, and I am enjoying them, like this one:

One night they are sitting around a fire in the yard. His future father-in-law, who is reportedly good at relationships, “said if we took the logs from the fire and separated them out in the field, they’d go out within an hour. They’d just lie there cold. He said for some reason the logs needed each other to burn, to stay warm” (203).

I am drawn to that image — poetic and romantic — even though the objective part of my mind is wondering what are the thermodynamics that make this so.

There’s also a long part in the book about having a meaningful life, and Miller summarizes principles from Viktor Frankl’s Man’s Search for Meaning. There are three recommendations if you want to have what Frankl claimed humans wanted even more than Freudian pleasure: “a sense of gratitude for the experience they were having, a sense of purpose and mission and belonging” (182):

Have a project to work on, some reason to get out of bed in the morning and preferably something that serves other people.

Have a redemptive perspective on life’s challenges.

Share your life with a person or people who love you unconditionally. (183)

I have a good portion of all of these — project, perspective, people — though the winds have buffeted us and feelings of purpose, resilience, and love are still on the mend. That’s an up arrow, for sure, though sometimes the tender spots ache when we palpate them.

I’ve been thinking about having a project to work on, one that is mine all mine. Not for income. Not for housekeeping. Not for athleticism.

Rising in me again, in part because of my summer freelance writing project, is a belief in writing itself as worthy and desirable. Even though I’m a writing / speaking teacher, most of the writing I do in education is feedback on the work of others. Oh, and emails, but that’s every job. I had lost heart with my own writing in the last year or so, and the activity of writing, in addition to the conversations about writing, has done a lot to boost my writing ego.

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Nature section, Brookline Booksmith

I live near a bookstore now, and they invite patrons to bring their dogs along. Winston and I sometimes stop in to look at a shelf or two on our evening walk. Yesterday a book on mushrooms caught my attention, and then we scanned the Nature shelves. I fantasized about resuscitating my project on Elizabeth White, amateur botanist, and the cultivated blueberry.

A friend of Jimmy’s called me tonight, before sundown. He half jokingly said he was atoning for not having been in touch for a long time. I said I didn’t think that way at all. In fact, people live inside my head, not in a crazy way, but in a populated way. I think of them; they think of me. I know that.

Somehow all the parts of this meandering post fit together, though there is no beginning, no end. Having a good life, a meaningful one. Loneliness. Writing desire. People, near and far.