I have always preferred reality.
I was the child who read the Little House series, Nancy Drew, Tree Grows in Brooklyn, Jane Eyre, Secret Garden, Pig Man, and Anne of Green Gables.
And like my daughter Lydia, I have always liked facts. One spring, when I was about 16 years old, I took a stack of books out of the library’s nonfiction section on farming, gardening, and vegetables. (That summer I also attempted a 10 x 15′ garden on a clayey waste plot in my family’s back yard. What I recall is that lettuce grows quickly, and slugs like to make a home among lettuce leaves, which a person finds out when she holds that salad lettuce up to her mouth and sees a baby crawler on a leaf.) Another time I took out a less goal-oriented selection of books on the human body — a bunch of owner’s manuals. (I remember a set of photographs from a dermatology book on effects of aging, and how an older person could pinch skin on the back of her hand and it would stay in a little teepee shape for a second or two. I tried this on my own hand then and could not imagine a little skin teepee as a possibility.)
In my fiction reading, as much as I followed plot I liked learning how people did things with their hands: laundry in big tubs, food over an open fire, sleeping 3 or 4 to a bed, toys from sticks and rags, and treatments from poultices (ah, Kaiser Pease’s onion bath in Where the Lilies Bloom). When I picked up Mrs. Mike again, at least 30 years after I first read it, it was to find the description of an emergency amputation that has stayed with me:
I filled a kettle. I lifted it to the stove. The cries drew me back. His nails dug long furrows in the wood of the table. His dark eyes rolled back under his lids, leaving white, unseeing holes. The smooth muscles moved in Sarah’s arms. Back and forth, back and forth. The trap bumped and clanged against the table. Sarah’s strong man’s hand pressed the saw’s teeth deeper into the wound. It quivered, it quivered like jelly. A strange laughter stirred me. Mother and child, I thought. Mother and child. Then Sarah begin hacking. The bone chipped and splintered. I looked at her face, at the clamped lips! I looked at her hands. I thought, how can she do it! I looked again at her face, relentless and calm… His body lay under her hands, twisting, screaming, while she hacked at him calmly with a saw. I stared at a flap of hanging flesh.












