Do nothing, and results will follow

It was breezy and overcast, but we headed anyway to the kayak and paddleboard rental place on Nauset Marsh in Orleans on Cape Cod. Why hadn’t we thought to call ahead? When we got there — there were 12 people in our family group — we learned that the breeze and tide made it too difficult to paddle back in. Rentals were closed.

Nearby was Nickerson State Park, with lots of wooded camping and a boat rental place on a pond. We drove there in our three vehicles, and split up even further into an assortment of single and double kayaks, a peddle boat, and, for Lydia, a stand-up paddle board.

across the pond, August 30, 2013

across the pond, August 30, 2013

Last summer she tried the SUP board on a cool day with high winds, managing the standing part but finding the navigation part challenging. A goal for this summer was to use the board to actually go somewhere.

The kayakers and Lydia headed out across the pond, after getting some advice on the wind and current from the young guy manning the rental business. Jimmy and I peddled behind. The squared-off peddle boat goes so slow. Even though legs are more powerful than arms, the kayaks and SUP board were more streamlined. They and their passengers seemed to go quickly and reached the other side of the pond while we felt stalled permanently in the middle.

accidental photo of me, peddling, August 30, 2013

accidental photo of me, peddling, August 30, 2013

We saw them head back, their faces to the wind and the prows of their boats into the current. The kayakers seemed okay, but even far away Lydia, who never fell, seemed to be working very hard. Emily and David hovered in their boat near her.

Jimmy and I changed direction and attempted to predict their path and intercept them. Emily and David traveled on. As we got within shouting distance of Lydia, I asked if she wanted a ride.

She shouted back, “I don’t need help. I just want some company.”

So for the rest of the way back to shore we stayed within about 50 feet of her, hardly interacting (beyond the occasional photo taking). She rowed hard and made it.

As parents and teachers — and in my family this broadens to include lots of loving adult figures — we don’t always have to step in and do something. We can be nearby and offer our silent presence: not advice, not physical help, not even encouragement. Young people already have some skill and often great determination and strength. Also, although mistakes are one possible outcome, it’s unlikely that they will be disasters. For example, I know Lydia can swim well, and the worst that could have happened was a dunking and a challenging climb back onto the board.

When we are in a teaching/helping/nurturing/leading role, the impulse is often to intervene. The danger in the intervention, however, is that the outcome becomes ours. The person helped loses her agency.

I feel this myself, too. When I am faced with a challenge, I like the pleasure of working it out myself or, if I can tell that I need it, asking for very specific help. It gets my back up when someone offers to take over for me. And yet when I am doing something difficult or grueling, it can be wonderful to have a trusted person nearby, perhaps involved in their own parallel challenge, whether physical or intellectual.

To help most, therefore, it sometimes takes great self-restraint, an ability to have a thought and not speak it, to perceive a solution and not implement it, or to sense uncertainty and not resolve it.

Teachers, for the semester ahead, let’s remind ourselves of the value of our presence and the power of nonintervention. This is not to discount the value of our active teaching — that’s important, too — but simply to remember that we have more than one way of being and doing.

Hovering over a lake of words

We gave ourselves an assignment: write every day for a week, minimum two minutes each time with an ideal goal of 30 or more. This was in response to our constant wailing, in our weekly chats, about how work and life get in the way of writing.

James will have to report on his own results, but mine showed that, even though I write for work many hours every day, I don’t write for the creative projects I claim to be longing to do. Words are all around me — they are the stuff of how I make my living — but I am not immersed right now in any creative project even though I often feel as though I am on the verge of one. Ironically, instead of using this self-imposed writing week to dive into a creative project, I felt compelled to interrogate myself daily with the question that could be boiled down to this: With all the writing I do, why am I not ‘writing’?

tree branch, Jamaica Pond, August 27 2013, photo by Lydia and editing by Grace

tree branch, Jamaica Pond, August 27 2013, photo by Lydia and editing by Grace

Below the jump I have published an excerpt from each of those seven days. Even though these reflections and rants are not necessarily essay-worthy, I did enjoy seeing how my unpolished, unstudied writing could yield some straightforward insights in unfussy language. Too often I feel my prose is the product of too much crafting. My free writing is free of my cool pose, and I like that in places.

Next assignment? If we are to continue with the daily writing, James and I will put aside the fretting about not writing and, instead, do the writing. My topic this week is anger. My hope is to jump start an essay I started and put aside a couple of years ago.

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Thinking and sewing

Lydia took this photograph of me as I paused during some sewing on Thursday night. I was making a curtain for Eli’s new apartment and trying to solve some problems as I went. I’m guessing that, at this moment, I was thinking something through.

Jane_sewing&thinkingI like how the folds of my hand and the folds of the fabric seem to merge. I also like the presence of the word “Singer” in the image while at the same time my fist is scrunched up over my mouth.

 

Alone time and its treats

ice creamToday’s post, in lieu of an essay, is a set of notes I took during a two-hour lunch break last Saturday in the middle of the Children’s Literature Summer Institute (blog post here). It was sunny, after days of clouds and rain, and I wandered over to Jersey Street for Thai food, wine, dessert, and the solitude that happens on city streets and in restaurants. I sat alone at one of the three tables with umbrellas on the sidewalk out front, and the waiter did not rush me. I wrote — about the conference and what was going on around me. It looks like I made some thought or section breaks as I wrote, by inserting horizontal lines; I kept them in this transcript:

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Everyone [speaking at the conference] seems fully to make their living from art — only Yee even used words having to do with money + employment.

I surmise though that speaking at these conferences helps writers/illustrators connect with school librarians who hire them to speak at their schools. In fact, the school librarians I met mentioned specifically that they were hoping to bring some of their artists to their schools. There seems esp. to be budgets for this in K-8.

For me, this kind of environment is really inspiring — gets me wanting to do this, to value it as important.

The YA novelists talk about themes in their novels that were themes in their teen years. They keep trying to work them out. How did I stop my YA novel so easily, worrying about neurosis? This is the territory — maybe writing is not the way of mental health. Continue reading

Hands down, the best literature conference anywhere

This past weekend, I attended the Children’s Literature Summer Institute 2013 at Simmons College, my graduate school alma mater. Among academic conferences, it is one of the best, managing to be smart and profound but not stuffy. As Lois Lowry, the keynote speaker, conveyed in her talk: We are all in this world of children’s literature together.

About 150 people – teachers, writers, illustrators, grad students, librarians, editors, scholars, and fans – attended. Strangers were instantly affectionate. The featured authors and illustrators were approachable. I made a conference friend, a school librarian who is also a Simmons alum, and I really enjoyed having one person with whom I could continuously share impressions and enthusiasm. I also loved being at Simmons again and remembering my professors, my friends, and my years of learning.

I gathered much good insight and advice from the many author and illustrator talks, which were all prepared and differently framed around the Institute’s theme for this year: Love Letters. I took notes. I hope it will all stay with me, motivating me to return to some projects I have set aside in doubt and helping me stick with them.

From my notebook: a list of the speakers, in order of their appearance, and ideas and inspiration I wrote down as they spoke. There are 13 of them, a baker’s dozen. Keep reading after the jump.

Shane plays; Jack records.

Shane plays; Jack records.

1. Shane Evans, illustrator and writer: website

He gives himself an assignment to journal on the same topic for 41 days. The topic might be truth or love or some other big idea. He does this “because I’m lazy.” Once, for 41 days, he asked a different person every day the same question and photographed him/her and then put it all on his website.

Interesting metaphor: mountain top vs. valley. “Nothing grows on top of a mountain; it can’t breathe. We have to go down to the valley; it’s where nurturing happens… We talk about highs and lows – what’s wrong with the lows?!”

He showed a slide of works from 10 visual artists who are his inspirations. I wonder: who would be my 10 inspirations? What would it be like to take a work from each of them and hang it over my desk?

Shane is also a musician – went to college with Taye Diggs – and got us to sing along with him… TWICE.

2. Deborah Freedman, illustrator and writer: website

She is a former architect. Looks at books (physical ones) as “a spatial problem.” She said, “a picture book creates a space.” She believes an iPad won’t do that, or can’t do that yet. (I wondered, “Why not?”) She likes things she can touch; she likes things that exist in space: “I like the book.”

Talked about balancing “intuition and rationality.” She does that in her sketchbook; she starts a new one for each project. Once she has an idea, the first thing she does is to “go to the library and look at every book about that idea.”

In picture-book making, pacing is very important. She works this out in a storyboard, and she’s constantly “pacing and re-pacing.” (I noticed that pacing is a quality of stories and books that several of the writers or illustrators mentioned in their talks.)

Tight limitations are a gift, she said, using those words exactly. I liked her.

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Thank you, Elizabeth Warren

I’m really glad she won the November 2012 Senate race against Scott Brown. And I’m really glad that Jimmy had the presence of mind to make a contribution to her campaign and ask volunteers to install one of her giant signs in our front yard. The sign came on a giant wooden stake that, since mid-November, has been resting against the wall of our garage, too tall to put in a trash barrel. Today I cut and drilled that scrap to make a hanger for bike helmets on the garage wall.

Helmet hangerIt’s kind of sad that we’ve lived in this house, with garage bike storage, for 14 years and only now have I solved the helmet problem. Until this morning, we either kept them dangling off bike handlebars or tossed into a bin in the corner. So, thanks for improved helmet storage, Elizabeth Warren. (I used my own tools and fasteners.)

Tell me though: Why does it take so long — years! — to get around to doing a chore that takes only an hour to complete?

Gardening is revising

dahlia1I hadn’t really planned to garden on Saturday — I have been fantasizing about a day of decadent rest with books and a lightly spiked drink — but after Jimmy and I dropped Lydia off at 6:30am in the South End for the first leg of her trip to Vietnam and Cambodia with Boston Children’s Chorus, I had a hankering for both dirt and improvement.

“How would you feel about a quick trip to Home Depot? I believe it opens at seven.”

“Sure,” said Jimmy, the driver.

By 7:30am, we had pots of sunflowers, flats of ground ivy, and one red dahlia, which I had to buy because, as I told Jimmy, “It’s alone, and it needs me.” It was the last dahlia in sight.

revision_sunflowers potsThe sunflowers that Lydia and I planted a few weeks ago never really took off. I blame the black landscaper’s cloth; I should have used the white cloth I used for my first folly. A few seedlings came up here and there but not enough to insure a burst of yellow in August. Instead of giving up and throwing down grass seed, I thought I’d help nature along and augment our few babies with some adolescent plants from the nursery.

revision_sunflowersBy 8:30am, they were planted in the two narrow rectangles in front of the house between the road and the town sidewalk. The dahlia doesn’t really fit, but she needs sun too, so I nestled her in with the sunflowers.

revision_afterAfter we had a coffee-and-dog break, Jimmy went back to Home Depot for some rolled sod, which was scheduled to arrive in the store at 11am. Meanwhile, I started digging up the area around my path to nowhere. The heavy rains mid-June had pounded away a lot of the grass seed, and the water also revealed some stones that had been too deeply set. They were enough below ground level that a huge puddle formed, about two inches deep and three feet in diameter. The birds were happy, but I didn’t make the path for it to become an occasional birdbath.

revision_pathAs I dug, I thought about writing and especially about revising. It can be very exciting when you jump into a new project full of energy and vision. The satisfaction of finishing a first draft — whether it’s a poem or a new flower bed — reflects a glow onto the work itself. For a while, the draft can shimmer in beauty simply by virtue of being done and having an existence outside the maker’s head. But then some time passes, whether days or weeks, and shimmer fades and the reality of the draft reveals itself. There are awkward phrases; there are gaps; and there are puddles that make only birds happy.

Jimmy returned with the sod, and he dug too. We got dirty, and the closer we got to getting done, the messier this revision became. I tossed rocks to the side as I came across them. We pulled up stray roots. I wondered of course why I was re-making a path to nowhere. The world doesn’t need it.

At one point Jimmy, noting my tight-lipped fatigue, suggested that we put the tools aside and get back to it next Sunday. I looked him in the eye and said, “We have to finish it today.”

revision_Jimmy sunflowers 250In the middle of revision, even though I enjoy having something to work with and puzzling over problems, it often starts to look worse before I can make it better. In such moments, it is tempting to put the hard work aside and fall in love with a new project. People say the blank page is scary, and it can be, but it’s also full of possibility: a screen I can project my hopes onto. In the middle of a revision, it’s easy to lose heart, because I can start to see what my poem or essay or sunflower folly or wandering path will not become.

And yet only by finishing it will it become something. So we dig, shovel, smooth. We finish, as well as we can.

Teacher as learner, learner as teacher

Friday I went to the studio of my MIT friend/colleague Juhan, for a critique meeting for Health Axioms, a project for which I’m doing (freelance) editorial work. On my way in, one of his colleagues, whom I’ve met a few times, said to me, “Jane, I read your article on teaching MIT students. Very nice.”

If you haven’t read my reflection published in Technology Review on teacher as learner — and, by extension, students as teachers of their own work — here it is: link.

It was a beautiful morning for nematodes

Sometimes I do these things just to do them. For example, I saw on MAKE this watering can made from an empty milk jug, and I had to make one simply because I could.

nematodes_sprinkleLast year my cheap plastic watering reached the point of battered beyond use, and I threw it away. I haven’t replaced it because it seems an unnecessary purchase. The hose will do.

But I had a sudden urgent need for a watering can: 10,000,000 beneficial nematodes (Steinerema feltiae) in our refrigerator that had to be applied to the lawn on a rainy day. Today was that day.

nematodes_fridgeWhat are nematodes? They are microscopic parasites that kill other parasites, namely the grubs in the dirt under our lawn. Those grubs grow up to be some kind of scarab beetle, and beetles eat the fibrous roots of turf grass.

A mournful violin tune could be played every July in my front yard after the bright green grass starts to die off and wither in patches. I’ve done the soil analysis, and we have applied compost and extra nitrogen. No matter how much we tend to it, the lawn gets sickly after its early summer burst. I don’t want to spread a toxic chemical like GrubX on it. That seems like a greater harm than good. Nematodes, purchased from Gardens Alive!, are benign to all organisms but for beetle grubs, into which they burrow and eat their guts out.

Plus, I have seen grubs while planting — their fat, white fetal bodies curled into a C shape, so visible against a scoop of dark soil.

This morning, the ground was wet, but there was a lull in the rain. Under Winston’s supervision, I made a watering can from an empty water jug: I heated the tip of a brad nail with a BIC® lighter and pierced the jug lid many times.

nematodes_punctureThen I mixed 5,000,000 nematodes with tap water I had already put into the jug. (After I used up the first solution, I came back and repeated the process with the other 5,000,000 nematodes for the other half of the front lawn.)

nematodes_mixtureWith my homemade watering can, I applied the water-and-nematode solution to the grass by shaking the jug and squeezing it a bit too.

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Animal rescue league

Jimmy asked, “How was your day?” We are sitting in the living room. I get the couch, the best seat, and he the green chair.

Our usual weekday subjects are work and kids.  The conversation is always better if there’s an anecdote.

“Grace called me twice this afternoon. She found a cat in the yard without a collar, and she wanted to talk it through with me.”

wild thing, you make me stalk you (june 2013)

wild thing, you make me stalk you (june 2013)

I described the stream of texts she sent, her eagerness to locate the owner, and desire for me to come home and help. It was late afternoon, and I was wrapping up anyway. By the time I pulled into the driveway, Grace had already called an adult friend for cat-catching advice, posted a photo on Instagram, searched craigslist for “lost cat,” and speculated as to who in our neighborhood might own the cat.

cat_textShe and I stalked the collarless cat for a little while, trying to herd it back to our yard where we believed we could think and plan better. After we tip-toed into the fourth neighbor’s yard, I said to Grace, “I’m going home to get a laundry basket so we can try catching it.”

The cat eluded catching with the laundry basket. Grace finally said, “I sense this cat is smart enough to survive and find her way home. And I think I know whose cat it is.” We abandoned pursuit.

Later, she took our dog Winston for a walk and rang the bell of some new neighbors. Indeed, the cat belongs to them. The woman told Grace, “She lost her collar and we haven’t replaced it yet. But we know she’ll come home when she’s hungry.”

I told Jimmy that I hoped we weren’t going to become those kind of people, always on the lookout for strays. Continue reading